Mind maps aren’t just exclusively useful for just businesses though. Mind mapping software can also be used alongside flowchart software to make workflows and process flows more efficient. Mind mapping is particularly important in project management to understand the strategy behind a project, streamline processes and delegate tasks to the right teams. You’re also much less likely to lose mind maps created on your Mac than on a piece of paper or a white board. ![]() ![]() Mind maps are an excellent way to present ideas and information in meetings and presentationsĭigital mind map makers make the process much easier than using a pen and paper or because they are far more flexible when it comes to making changes, edits, enriching and sharing mind maps.Mind maps help to clarify thinking on topics.Improve the ability to remember key information.Use time more efficiently by focusing on the most important tasks or issues.Mind maps help you to see the bigger picture. ![]() Mind maps are effective for a variety of reasons but some of the most important are: Mind maps can bring out creative thinking in a way that a lot of business planning or brainstorming can’t. Mind mapping is incredibly effective because it uses both sides of the brain at once – the left hand side for logic and structure and the right hand side for creative or “out-of-the-box” thinking.
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The 125KHz durable LF RFID hard tag Brick Nova T5 is an Flexible RF-Transponder solution for automotive applications. 125KHz Durable LF RFID hard tag / Brick Nova T5 Warm strings nobile adorned with woodwinds tenero grace us with beauty and speak to his refinement, integrity and essential goodness. Gringoire’s Theme serves as the identity of the poet and husband of Esmeralda. He speaks outwardly to his grotesque appearance and deformity with comic woodwinds synced to his abnormal gait, yet within the notes we discern a pathos of alienation and loneliness. Quasimodo’s Theme is astutely constructed by Newman and perfectly conceived. The theme is malleable, becoming lustful and transformed into a Love Theme when she assumes the role of seductress. ![]() ![]() Her lush string melody is at once vibrant, ethnic and yet also full of passion. This sacred writing offered a profound juxtaposition to the evil actions and cruelty of the villain Frollo.įor his soundscape Newman would provide five primary themes including Esmeralda’s Theme, which serves as her identity and the sole feminine construct of the score. To glorify the sacred, Newman used angelic, ethereal choir with stirring effect, as well as interpolating the 16th century hymn “Ave Maria” by Tomas Luis de Victoria. Additionally, his soundscape would need to speak to both the sacred and profane, supporting the crowded and bustling streets of Paris, the imposing magnificence of the Notre Dame cathedral and the haunting, loneliness of the bell towers. He understood that at its core this was a film of unrequited love for the pathetic and deformed Quasimodo. He gladly accepted the assignment as the film provided a grand tapestry on which to compose. However, despite favorable reviews it was only nominated for two Academy Awards, for Best Sound and Best Film Score.Īlfred Newman had firmly established himself in the 1930s as a tier one composer with five Academy Award nominations and one win. In the end Esmeralda departs with her husband and Quasimodo is again left alone and unloved in the bell tower where he asks a gargoyle statue “Why was I not made of stone, like thee?” The film was a commercial success, earning $3.16 million for a handsome profit of $1.33 million. He then comes to Esmeralda’s rescue, defeating Frollo’s effort to murder her in the bell tower, by tossing him from the bell tower. She is however saved from the gallows by her husband Gringoire, who convinces the King of her innocence, and Quasimodo, who heroically fights off Clopin’s assault on Notre Dame. Later Phoebus is stabbed to death and Esmeralda is falsely accused of the crime and sentenced to death. Esmeralda comes upon him after the flogging and out of pity gives him water to drink, which elicits love in him. Frollo does not come to Quasimodo’s defense, and he is sentenced to be cruelly flogged. Frollo sends Quasimodo, the deformed bellringer of Notre Dame Cathedral, to capture the girl, which he does, only to himself be arrested by Phoebus, Captain of the King’s guards. The story centers on the beautiful gypsy girl Esmeralda who is pursued by the corrupt Chief Justice Frollo. The film takes place in France during the reign of King Louis XI circa 1461. William Dieterle was given the reigns to direct the film, which would again be adapted from Victor Hugo’s famous 1831 novel Sonya Levien and Bruno Frank provided the screenplay and a fine cast was assembled, which included Charles Laughton as Quasimodo, Sir Cedric Hardwicke as Jehan Frollo, Thomas Mitchell as Clopin, Maureen O’Hara in her screen debut as Esmeralda, Edmund O’Brien as Pierre Gringoire, Walter Hampden as Archbishop Claude Frollo, and Harry Davenport as King Louis XI of France. ![]() Pedro Berman was hired to produce the film and provided a massive budget of $1.8 million. RKO was committed to the project and built a massive recreation of Paris and the cathedral on their ranch in the San Fernando Valley outside Los Angeles. ![]() A favorable fan poll in 1936 added impetus to the endeavor, but the studio was never able to assemble the lead actors to launch the project and so sold the film rights to MGM, which in turn sold them to RKO. The dawning of the new age of film with dialogue and music had arrived and Universal Studio executives decided to explore a remake of their 1923 production of The Hunchback of Notre Dame. Jennifer contributes to all undergraduate and postgraduate courses in Jewellery and Silversmithing. Across all year groups she aims to support a cross-disciplinary, student-centred learning experience whilst maintaining a proficient, practical understanding of the making processes and materials at the core of the Jewellery and Silversmithing discipline. ![]() Jennifer is a graduate of The Glasgow School of Art and Royal College of Art in London. Her work is quite often informed by research into historical sources, which is undertaken alone or in partnership with museums, national organisations, historians or Archaeologists. Off-shoot ideas, themes or techniques from these projects are adapted into bespoke one-off pieces or commercial small-scale production ranges of products. She sells and exhibits her work nationally and internationally in museums, design shops/festivals and art fairs. She works with commercial as well as private clients and regularly collaborates with Artists, Designers, Historians on practice-led research projects. Jennifer designs and makes jewellery and homeware in a range of materials. She aspires to produce work that can leave anyone viewing it uncertain as to how it was made and hopes to demonstrate that new technological approaches can blend quite naturally into a piece of work as a means of enhancing tradition rather than replacing it completely. The work Jennifer produces would not be possible without her experience of both traditional and current digital methods. Jennifer is an award-winning multi-disciplinary designer maker, researcher and educator. She uses a diverse range of materials in her works and as part of her teaching. Her original training focussed on jewellery, silversmithing and general metal work and these disciplines still remain at the core of what she teaches and her own practice. Jennifer has applied the skills established through a foundation in jewellery and silversmithing in various capacities elsewhere in the design sector.Īlthough the objects she makes and the materials she uses may vary with each piece, each series is underpinned by her use of both traditional methods and digital technologies developed on Jewellery and Silversmithing programmes.
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So, rather than duke it out, he tells a fib that serves to bring Joo-kyung and Soo-ho back together for good. He also knows that once Soo-ho is back (and so is their adorable bromance!) that he has no chance at all. He’s being swoony towards Joo-kyung, but he can tell as well as we can that she has no romantic feelings for him. Indeed, Seo-joon really outdoes himself here. It’s the second leadiest of moves, and I’ll never get tired of the “just three dates” concept, and the self-sacrificing sweetness of our textbook second leads. She’s also a little confused, because this re-meeting is exactly at the same time that Seo-joon finally works up the nerve to confess to Joo-kyung. The two have a fateful first snow meeting at Namsan Tower, but Joo-kyung nurses her broken heart and tries to avoid Soo-ho for a bit. Why is he looking for her now? Why was it okay to leave her for two years, but now that he’s back, it’s okay to find her again? I don’t know. Soo-hoo pulls radio silence for about two years, and when he finally turns back up in Seoul (looking more mature and also hotter, I might add), he’s got a one-track mind: Where is Joo-kyung. It makes no sense why they can’t have a long-distance relationship for a little bit instead.īut logic be damned. This couple is, and has been, adorable and committed. I’m not against all expressions of noble idiocy, but this instance was not well-received by yours truly. Seo-joon is a fixture in the house, sleeps over, is comfortable with the family… and he’s still very much in love with Joo-kyung.Īfter our two-year time jump, Joo-kyung is single, and here’s why: Soo-ho was delayed in the States due to his father’s grave illness, and he decides it’s better for them to have a painful and nonsensical break-up rather than have her “wait for him.” They’re not dating, but they’re very close. ![]() The cliffhanger last week made it look like Seo-joon and Joo-kyung were dating (or, it did to me). Instead, we take a final turn with our characters, our love triangle, and see where they land as young adults. I would have rather kept the future in the future, and enjoyed a good wrap-up. ![]() The bright side, though? More Seo-joon.īut is that enough to make it worthwhile? For me, it wasn’t. The downside of these final two episodes is: a two-year jump, an incomprehensible breakup between Joo-kyung and Soo-ho, and major heartache for Seo-joon. This begs the question, why not end the series around Episode 13/14, with a nice solid and satisfying landing? We might never understand the true reasoning, but the drama’s final week seems purely for the sake of filling space, alluding to source material for fans, and - oh yeah - giving us the full-fledged second lead agony we didn’t get to experience at maximum force during the previous fourteen episodes. So, let’s briefly talk about why these episodes were disappointing - but without letting it detract from the drama, since overall it really was fun and sweet.Īs mentioned above, the main storyline was wrapped up last week, and quite well. ![]() But, since the real substance of our story was beautifully concluded last week, our final episdoes wind up feeling more like filler than actual wrap-up.Īll in all, I really enjoyed True Beauty, so I don’t want to let my annoyance over the two final episodes take away from that. In its final week, True Beauty throws us a few curveballs along the lines of noble idiocy, fan service, and some manufactured drama. 44 FebruFebruTrue Beauty: Episodes 15-16 Open Thread (Final) by missvictrix |
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